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Well what do you know Another amazing movie from Sergio Leone. The Good, The Bad and the Ugly has so much good about it, and quintessentially it is one of the best westerns ever made. There may be nothing new about the story at first glance, but that's the point, Leone is paying homage to the Hollywood western, and despite the initial simplicity there is also a complexity mainly in the film's characters. Regardless of whether simple or complex it is, The Good, The Bad and the Ugly does have a compelling and brilliantly written story.But there are other assets that make The Good, The Bad and the Ugly so good. The dialogue is always excellent, while Leone's direction is superb once again. The characters are great and are superbly played. Clint Eastwood gives one of his best performances ever here, and Eli Wallach is perfectly cast and more than a match for him. I was also very impressed with Lee Van Cleef, who I recognised from High Noon and such, but he makes a bigger impression here. The Good, The Bad and the Ugly is also the most violent of the trilogy, and one of the most violent of the genre, not a bad thing whatsoever.The pace was spot on too, even though the film is nearly three hours long, it is never boring or dull. The best things though about The Good, The Bad and the Ugly are the visuals and Ennio Morricone's score. The film looks amazing, the cinematography is gorgeous and the sweeping images and scenery are very lovingly crafted. Morricone's score is even more impressive than that, it is simply one of the best film scores I've ever heard, and if I had to say which was Morricone's best score, I would immediately say this.Overall, there is nothing bad or ugly about the film. The film is amazing. 10/10 Bethany Cox
US critics were even more enthusiastic. Rolling Stone called it a \"movie of startling power and intimacy\". The New York Times hailed \"a rare American movie that aspires to - and achieves the full weight and darkness of tragedy\".
I'm talking about Universal's recent announcement that, beginning in 2006, they are going to make about 100 movie titles available for rent on-line. No pricing structure has been announced, but we're probably looking at between $2 and $5 to download and view a film. Anything higher wouldn't make sense; no one would be interested. Anything lower seems unlikely, although price points of 50 cents to 99 cents might dramatically increase interest.
The Universal model calls for the full movie download to take less than an hour (it reamins to be seen whether they can deliver on that) - not instant access but quicker than waiting for the NetFlix envelope to arrive, and more convenient that taking a trip to the local video store. Once the movie is downloaded, you can watch it as many times as you want in a 24-hour window. After that, it becomes \"locked out\" and you have to pay again to get access. The details of this plan are similar to those proposed by a number of distributors looking to get into the on-line market. But here's the new wrinkle: you have to keep the movie on your hard-drive, hogging valuable memory, for 30 days. And for 29 of those 30 days, you can't watch it.
The reason, according to Universal, is that, using peer-to-peer technology, the more people who have a copy of the file on their hard drive, the faster a new download goes. This is true, but it raises two unsavory issues. First, even though I know it's relatively secure, this means Universal will mandate that I allow other people to download a file from my hard drive. Secondly, I'm not permitted to manage all my own files. Assuming DVD quality, about 1% of my 250 Gig hard drive will be compromised for 30 days. Not such a big deal, but what if I download 10 or 15 movies Or what if I have a smaller drive 1e1e36bf2d